The reverence for temper therefore , cannot be disentangled from the very forces that were encroaching upon constitution and destroying itFinally , despite the role of landscape painting in the self-possession and control of nature , we have identified a manlike cross-current of ecological research built into the very enterprise of landscape painting This cross-current of interrogative sentence interacted in certain ways with scientific research , but it also broadened the scope of sci entific inquiry and humanized it . The pain! ter s inquiry involvedClose , sustained observation of particular sites , from geology to botanyAn disquiet emphasis on the subjective experience of natural places , as dynamic , changing environmentsA faith in the interrelatedness of brio things and natural systems , in other words , in the ripe notion of ecologySourceKirk Savage , University of Pittsburgh : The Case of 19th Century LandscapePainting...If you read to get a full essay, order it on our website: BestEssayCheap.com
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